Understanding Phase
Oct 1, 2001, By Bob McCarthy
I can see sound. I can look at a speaker array and see the waves coming out of it as clear as the ripples on a pond. I can look at the walls of a room...
All Quiet on the Wedgeless Stage
Jan 1, 2001, By Mark Frink
TIPS ON PURCHASING AND USING YOUR FIRST SET OF IN-EAR MONITORS In-ear monitors are now widely accepted as an alternative to wedge or side-fill monitors...
Goldline TEF System 20
May 1, 2000, By Chips Davis
ROOM-TUNING TIPS & TRICKS The TEF System 20 is an accurate and versatile measurement tool and-in terms of offering fine resolution in the time and amplitude...
Tips and Techniques for Getting the Most Out of In-Ear Monitors, February 2000
Feb 1, 2000
In-Ear Monitors (IEMs) offer significant benefits for the performing musician, but they also place higher requirements on users, operators and their equipment. Compared to traditional monitor setups, ...
Equalizing the Room
Feb 1, 2000, By Bob McCarthy
"I am going to equalize the room." We've all heard that statement so many times that we scarcely think about what it literally means. We know that in...
Power Tools: BSS OmniDrive Compact
Feb 1, 2000, By Mark Frink
Offering as many as 50 EQ filters, ten crossover types, output limiting and more than a second of alignment delay in a single-rackspace chassis, the BSS...
Mixing Monitors
Feb 1, 2000, By Chris Michie
In this special live sound issue of Mix, readers will find plenty of useful information on audio products designed for live sound applications. But none...
Equalizer Inequality
Jun 1, 1999, Bob McCarthy
Seemingly, everyone already knows all about equalizers. Their effects are easily heard. Their settings are easily understood. And in an industry that's...
Getting Your Room in Tune
Jun 1, 1999, By Mark Frink
At my first job working for a real sound company, I had the good fortune to be paired with the company's senior engineer, Fred Mueller, who taught me...