Apr 15, 2005 12:54 PM

MACKIE PPM POWERED MIXERS
November 2008—The ultralightweight, powerful reincarnation of Mackie’s powered mixers, each PPM model features dual Class-D Fast Recovery amps (up to 1,600 watts), 32-bit RMFX+ processor with an arsenal of “gig-ready” usable effects, premium mic preamps, 3-band active EQ, dual 7-band graphic EQs, built-in DI boxes, dedicated in-line channel compression and a precision passive EQ switch that’s matched to Mackie’s C200/C300/S200 passive loudspeaker line.

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MACKIE TT SYSTEM32
December 2007—Slated for Q4 2007 release, the TT System32 ($12,999) digital live mixing system from Mackie comprises the TT24 digital console, DS3232 digital snake and the U100 networking card, offering a complete plug-and-play digital live mixing solution — just add stacks and racks. TT System32 provides stage-to-console connectivity via the DS3232 with 32×32 analog I/O, 32 mic preamps and complete remote recall/control of all preamp settings (gain, pad, phantom power) — all through a single, lightweight Cat-5 cable.

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MACKIE CONTROL UNIVERSAL PRO
September 2007—The $1,550 Mackie Control Universal Pro mix controller from Mackie connects to a Mac or PC via USB and has nine motorized, touch-sensitive Penny & Giles faders, eight V-Pots, more than 50 master buttons and a large LCD. An $899 Mackie Control Extender Pro can add eight more channels for up to 32 channels total. The system is compatible with ACID Pro 6, Audition, Cubase, Digital Performer, Final Cut Pro 5, Logic, Live 5, Nuendo, Pro Tools, Reason 3, Samplitude, SAWStudio, Sequoia, SONAR, Soundscape, Soundtrack Pro, Tracktion and Vegas. Designed to be used with MCU Pro or stand-alone, the $1,300 Mackie Control C4 plug-in and virtual instrument controller provides real-time control of up to 32 simultaneous parameters with visual feedback via four backlit, alphanumeric LCDs.

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MACKIE TT24 DIGITAL CONSOLE OPTIONS
February 2007—Mackie is now shipping the DS3232 digital snake ($4,999) and LP48 Lake Processor ($1,299) options for its TT24 digital live console. A U100 network card in one of the TT24's expansion slots, combined with up to 300 feet of Cat-5 cable, can connect to the DS3232 rack-mounted stage box. This provides remote access to mic gain with full recall of all parameters. When adding the UFXII card, the snake provides 32×32 remote mix channels and the onboard 24 mic/line channels combine for a 56×32 system. The LP48 brings Lake processing to the TT24 in three configurations: as a 4-in/8-out loudspeaker processor; providing up to 10 channels of Lake-designed insert EQ processing; or in a combo mode with five channels of insertable EQ and a 2-in/4-out loudspeaker processor.

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MACKIE X.200
September 2006—Mackie's dual touch-screen-controlled, 24-bit/192kHz-capable X.200 Digital X Bus console includes new Build 1.2 software. The download adds features such as true snapshot (scene) automation; improved gain reduction metering in the compressor window for better visibility in the critical 0dB to -12dB range; a “set plug-in delay” function to compensate for latencies in different plugs; inverse aux panning; channel preset save to/from any mixer channel; a channel-naming shortcut; and control of any stereo-linked channel using a single automation track. New options are available for Mackie's TT24 digital live console. An $899 UFXII DSP card provides 24 additional channels of EQ, gating and compression for a total of 48 fully DSP-functional channels. The new DS3232 digital snake has 32×32 channels of balanced XLR I/O and 32 mic preamp/converters in a stage box with remote input gain control from the TT24, and connects to the console via a U100 network card and Cat-5 cable. A LP48 Lake Processor Card can be configured in Lake Loudspeaker Processor mode as a 4-in/8-out loudspeaker processor for eight channels of balanced analog output with line-drive capability, or provide up to 10 channels of insert EQ processing including the Lake Ideal Graphic EQ^™ and Lake Mesa EQ^™.

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MACKIE ONYX 24.4, 32.4
March 2006—Mackie expanded its Onyx Series with the 24/32-channel Onyx 24.4 ($1,849) and the $2,599 model 32.4. Both offer balanced signal paths, 4-band EQ, six aux sends, 6×2 matrix and a stereo comp/limiter section based on THAT's 4301 chip.

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MACKIE TT24
September 2005—Mackie’s TT24 is a midsized, 24-bit/96kHz digital console optimized for live sound. Each of 24 mic/line channels includes a 100mm motorized fader, rear panel XLR/TRS balanced input and TRS insert. Eight additional line inputs include 4-band EQ and can be stereo-linked (as can the mic/line inputs). A Select Follows Solo function automatically brings a soloed (or selected) channel to the desk’s QuickMix section for fast adjustment of EQ and dynamics. Three internal 31-band graphic equalizers can be used to process left, right and center outputs. Rear panel XLRs are provided for 12 aux sends, L/R and mono/center outputs. Digital connectivity includes ADAT optical, AES/EBU, S/PDIF, word clock and MIDI I/O. A USB port links the TT24 to a PC running Mackie’s TT Control software for control over every desk parameter. Two expansion card slots facilitate a variety of I/O options. Pricing starts at $7,199.

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MACKIE ONYX 80 LIVE MIXERS
February 2005—Designed specifically for live applications, the Onyx 80 console series from Mackie features the company's flagship Onyx preamps and the 4-band Perkins EQ. Available in 24/32/40/48-channel frames, all have a 10x2 matrix, four mute groups, an aux/group flip function, eight stereo aux return inputs and eight aux sends with a stereo link function for up to four IEM mixes. A modular bucket design and heavy-duty aluminum I-beam extrusions create a rigid, non-flex chassis; a redundant rackmount power supply is optional.

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MACKIE CFX SERIES MIXERS
February 2005—Mackie announced updated versions of its CFX range of live sound effects mixers. Available in 12, 16 and 20 channel configurations, the CFX.mkII Series mixers all feature four subgroups, precise 9-band stereo graphic equalizers, and Mackie’s high-quality EMAC TM 32-bit digital effects processor that virtually eliminates the need for outboard effects processors. All CFX.mkII mic/line channels have unbalanced inserts and input trim controls with individual Zero Level LEDs, 3-band EQ with swept midrange, and 100Hz low-cut filers. Each channel strip has a 60mm long-taper fader, one external and one internal/external effects send; plus two aux sends, pan, mute, solo (PFL), and bus assigns. All three models allow two separate stage monitor mixes to be created with their own effects levels. The CFX12.mkII has a retail of $599, while the CFX16.mkII is priced $749, and CFX20.mkII is now $899.

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MACKIE DXB•400
May 2004—Aimed at pro recording and post, the latest version of the Mackie X Series digital console features a 96x96 channel I/O matrix (48x48 at 192 kHz) and 72 channels of EQ and dynamics at 96 kHz (36 channels with DSP at 192 kHz). The dXb•400 improves on the •200 by offering more advanced surround sound functionality, including 24 buses, flexible panning assignment and full surround monitoring features. The standard UAD-1 DSP card offers access to a wide variety of plug-ins.

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MACKIE TT24 LAKE PROCESSOR OPTION
May 2004—The LP48 Lake Processor expansion card for Mackie's TT24 Digital Live Desk can be used as a 4x8 speaker processor with eight balanced analog outputs or to provide 12 channels of Lake-designed insert EQ, including Lake Ideal Graphic EQ and Lake Mesa EQ™ with asymmetrical filters. The card can also be split-configured as six channels of insert EQ and as a 2x4 speaker processor.

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MACKIE TT24
March 2004—With 24 mic inputs for FOH/monitor work, the Mackie TT24 Digital Mixer is a 56x45, 8-group, 24-bit, 96kHz-capable LCR design featuring 100mm touch-sensitive moving faders, onboard analog and digital I/O, digital recall, 4-band EQ, 12 aux sends, dynamics, effects, 11x8 matrix and two expansion slots. A 5-inch touchscreen, eight function buttons and 12 rotary encoders provide quick access to key live functions.

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MACKIE ONYX MIXER SERIES
January 2004—Onyx is a new family of FireWire-capable analog consoles that include: the low-noise preamp circuitry based on the XDR mic pre, an all-new EQ circuit (developed for Onyx by industry veteran Cal Perkins) and an upgrade slot for an optional FireWire interface. The Onyx 1220 is a 12-channel (four mic/line inputs and eight line inputs) mixer with two buses and a 3-band EQ with sweepable mids. The Onyx 1620 is a 16-channel (eight mic/line inputs and four stereo line inputs) mixer with two buses and a 4-band EQ. The Onyx 1640 is a 16-channel (16 mono mic/line inputs) mixer with four buses and 4-band EQ. Like Mackie's 1604-VLZ Pro, the Onyx 1640 also includes a rotatable I/O pod that can be easily configured for rack or desktop use. TO READ THE "TECHNOLOGY SPOTLIGHT" FEATURE, CLICK HERE.

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MACKIE CONTROL UNIVERSAL
November 2003—Mackie has released a new control surface that combines the functionality and compatibility of Mackie Control, Emagic Logic Control and Mackie's HUI protocol into one universal controller. It features eight channel strips, each with a 100mm Penny + Giles optical touch fader, and a V-Pot to control effects and plug-ins, plus a backlit LCD and shortcut navigation and editing for all major software functions. The base unit's silkscreen will correspond to Logic Audio functions, while software-specific master-section overlays customize the unit to other supporting DAWs. Several upgrade paths allow existing Mackie Control or Logic Control owners to step up to the Control Universal. Price: $1,299.

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MACKIE DIGITAL 8-BUS "X"
November 2003—Mackie turned heads at AES with the debut of its dXb digital console. The “X” operates with 72x72 of I/O at 96 kHz and lower, and is capable of 36x36 of I/O at 192 kHz. The desk features 24 channel strips with 100mm P+G moving faders, two integrated 15-inch touchscreens, and it will operate as a fully functional Mackie Control Universal offering control for Nuendo, Pro Tools, Cubase, Logic and more. It also comes fitted with one UAD-1 card, giving the user access to a long list of popular DSP processors. In addition, “X” boasts powerful automation and FireWire I/O option cards for streaming audio to and from a computer. I/O is truly flexible and can be configured any way the user wants. Other features include a tape-style transport with memory location recall, weighted jog/shuttle wheel, padded armrest with built-in mouse pad, and a control room section that allows for A/B monitoring, dual phones mixes and talkback. Pricing is targeted at under $20k. TO READ THE REVIEW, CLICK HERE.

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MACKIE CONTROL C4
May 2003—Mackie's Mackie Control C4 is a hardware controller for plug-ins/virtual instruments, providing an analog-style interface, eliminating the need to constantly “bank switch” to access parameter-rich software modules. The C4 has four banks of eight V-Pots each, and four full-size displays and corresponding knobs for instant access to as many as 32 separate software parameters. C4 is supported by MOTU Digital Performer and Emagic Logic Audio, and it may be used independently or with additional Mackie Control and/or Mackie Control Extenders. Price: $1,099.

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MACKIE D8B VERSION 5
February 2003—Mackie announces a major software upgrade for its Digital 8•Bus (D8B) recording console. Version 5.0 improvements include independent surround-monitoring level controls and on-surface surround-monitor control. A HUI (Human User Interface) layer lets the D8B function as an automated control surface—with I/O—for popular DAW platforms. Updated dynamics algorithms offer better-sounding gates and compressors. Onscreen track sheets and channel notes are easily exported as html files to share session data with other users. A completely updated GUI (graphical user interface) provides new views for all EQ and dynamics in a graphical format, and plug-in chaining capability permits daisy-chaining of up to four plug-ins for one send, which allows users to double, triple or quadruple the number of plug-ins assigned to one input. The $299 software upgrade is downloadable from www.mackie.com, and is included free with all consoles shipped after December 16, 2002.

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MACKIE BABY HUI
November 2002—Mackie (www.mackie.com) announces the arrival of Baby HUI (Human User Interface), the first HUI-compatible, touch-sensitive control surface priced under $800. Baby HUI supports the HUI/MIDI-mapping protocol, allowing it to work right out-of-the-box with any HUI-supported PC or Mac DAW. Baby HUI features eight channel strips, each with 60mm, touch-sensitive, motorized faders; Mute and Solo buttons; signal LED; and a multifunction rotary-encoder handling pan, send level, channel select and record/automation arming. Baby HUI also provides Display and Undo buttons and tape-style transport controls. HUI-supported DAWs include Mackie Soundscape 32 and Mixtreme, Digidesign Pro Tools and Digi 001, MOTU Digital Performer and Steinberg Nuendo/Cubase SX. Retail: $799.

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MACKIE DESIGNS MACKIE CONTROL
October 2002—With an automated touch-sensitive control surface, Mackie Control is a 9-fader (eight channels and master) MIDI controller that provides in-depth mixing, editing, automation and navigational control for any supported digital audio workstation. The Mackie Control adheres to a compact, desktop-style design, is supported by a plethora of DAW manufacturers, and offers a full range of pro features and controls.

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MACKIE CONTROL FOR MOTU
August 2002—MOTU (www.motu.com) and Mackie have teamed up to develop hands-on hardware control for Digital Performer. The new Mackie Control automated, touch-sensitive hardware control surface is manufactured by Mackie, with custom user interface and software engineering for Digital Performer designed by MOTU. The unit offers nine 100mm, motorized, touch-sensitive, 1,024-step Penny & Giles faders, with programmable rotary V-Pots on each channel strip, along with Mute, Solo, Select and Rec/Ready buttons and dedicated assignment buttons that provide access to mixing parameters such as EQ, dynamics, I/O configuration and plug-ins. A large, backlit LED strip displays channel settings and plug-in parameters, and channel- and bank-switching buttons provide access to any track. Transport, zoom, scrub and shuttle mode buttons, along with a large ergonomic jog/shuttle wheel, control transport and zooming/locating features. LEDs provide instant visual location reference in bars/beats or SMPTE frame time. In addition, the MOTU design team has taken advantage of new functions in Digital Performer 3.1, including enhanced track-grouping features, temporary track groups and enhanced transport modes.

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MACKIE DFX SERIES
March 2002—Mackie's DFX Series of 12- and 6-channel mixers are designed for the entry-level market: The DFX•12 is $479; the DFX•6 is $379. Both include 16 digital multi-effects, 5-band graphic EQ and an onboard vocal elimination circuit for karaoke use.

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MACKIE COMPACT VLZ PRO MIXERS
October 2000—The three mixers in Mackie's Compact VLZ PRO series of mixers feature new Precision-Engineered XDR extended dynamic range premium studio-grade mic preamps, with an exceptional 60dB gain range, ultra-low noise and the highest headroom in their class. Other features include: exceptional RF rejection, special design circuitry to minimize noise and crosstalk, convenient ALT 3/4 bus and active 3-band EQ on the 1202 and 1402 and swept mid on the 1604 (positioned at Mackie's popular musical frequency points).

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MACKIE D8B Version 3
November 1999—At AES. Mackie's D8B 8-bus digital mixer was running under Version 3.0 software, which includes an updated GUI (graphical user interface), including a 48-channel fader bank view screen, new snapshot libraries, MixLink(tm) network capability and support for as many as 16 simultaneous plug-ins on the first 48 channels. TO READ THE REVIEW ON VERSION 2, CLICK HERE.

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MACKIE PPM SERIES
March 1999—At NAMM, small, powered P.A. mixers were everywhere! Mackie's PPM Series range from six to eight inputs, featuring two amps, and a clever "break switch" that disables all mics when the band takes five, while leaving the CD/tape input active.